Gear
ARCHITECTURE:
We have an extensive microphone cabinet with high quality ribbon mics, vintage and modern condensers, and studio stock dynamic mics. Our array of boutique, outboard microphone preamps provide us with a number of options from tube, “wire with gain” and big old school transformer pre’s. Lastly, we have industry standard Apogee and RME converters to make sure the tracks we record go from analog to digital in the best possible manner. As for instruments, well, see for yourself…….
Computer
- (2) Apple Mac Pro Eight-Core 2.66 ghz Intel Xeon processors
- 28″ I-inc Monitor
- Dual 22” Acer Monitor
Recording Hardware
- Digi 003 Rack running Pro Tools LE 7.3
- Apogee Rosetta A/D Converter
- RME ADI-8 Pro A/D Converter (2)
- Lucid GENx6 Word Clock Generator
- Dangerous Music 2-BUS LT
- Analog Summing Box
Monitors
- Dynaudio BM 6A w/BM 9 Subwoofer
- Yamaha NS-10T
- Mackie HR824
- Dynaco A25
- Harman Kardon Media Speakers
- Presonus Central Station
Mic Preamps/ Rack Gear
- Avalon VT-737
- Great River MP-2NV
- Universal Audio 2108
- Neotek Series 1E (2 Ch)
- Sytek MPX-4
- FMR Audio RNP8380
- DBX 160 VU
- (2) DBX 160 XT
- (2) FMR Audio RNC1773
- FMR Audio RNLA7239
- Lexicon LXP15
- Samson S-Phone
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Microphones
RIBBON
CONDENSER
- Soundelux U195
- Neumann KM86i
- (2) Audio Technica 4050
- (2) AKG 451 (70’s, muti-capsule)
- M-Audio Sputnik
- (4) Octava MK012
- Studio Projects C1
- Countryman Iso-Max Bi-Directional
- Marshall V76
DYNAMIC
- (4) SM57
- (2) Audix D6
- (2) Sennheiser e609
- ElectroVoice RE-20
- Sennheiser MD421
- Audio Technica ATM25
- ElectroVoice 630
- ElectroVoice 644
Piano / Keyboards
- Hobart M. Cable Extended Upright
- Korg Triton
- Roland RS-5
- Roland SH-100 analog synth
Drumsets
- Ludwig 70′s 3 Piece w/22″ bass
- Slingerland Classic V w/18” & 20” bass
- Yamaha Export w/ 22” bass
- Dozens of Cymbals- mostly Paiste+Zildjian
SNARES
- Pearl 80′s 14″ Brass Free Floating
- Ludwig 80′s 14″ Acrolite
- Pearl Omar Hakim 13″
- Ludwig 60′s 14″
Amplifiers
- Fender Vibro Champ (silver face)
- Fender Deluxe
- Fender Deville 4×10
- MesaBoogie .50 Caliber+
- Sunn Concert Lead
- Sunn 1×15 cabinet
- Ampeg 4×10 cabinet
- Carvin XV-112E
- Carvin DCM 1500
- Acoustic 150
- VHT G-2502-S Power Amp
- 2 VHT 2×12 cabinet
- Bag End 1×15 cabinet
- BBE 383
- Peavey Mark VI
- Peavey Bandit 65
Guitars
Electric
- ’65 Fender Mustang
- Fender SRV Strat
- G&L ASAT Classic
- Fender Strat Mexican Standard
- Fender “Roland-Ready” Strat
- Brian Moore C-90P13
- Ibanez RG560
- Ibanez AK85 Semi-Hollow
- Ibanez SR400
Acoustic
- Guild D25M
- Tacoma DR-38
- Takamine Cp-132SC Nylon
- ’84 Alvarez DY-47
- ’76 Ramirez Classical
- Fender Geddy Lee Jazz
- Ibanez
- Fender 5 String American Jazz
- Fender 70′s Musicmaster Fretless
Effects
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- Boss OC-2
- Boss PS-2
- Boss DS-1
- Boss DM-1
- Boss CS-2
- Boss RC-20
- Boss CE-2
- Ernie Ball Volume
- Johnson J-Station
- RogerLinn Adrenalinn 2.0
- Ibanez FL9
- Ibanez Bi-Mode Chorus
- (3) Ibanez TS9
- Digitech Whammy 4
- Digitech PDS 1002
- Marshall ED-1 Compressor
- Line 6 DL4
- Line 6 FM4
- Line 6 POD 2.0
- Fender Fuzz-Wah
- Hi-Watt Wah
- Vox Wah
- Roland VG-88
- Electro-Harmonix Small Stone
- Electro-Harmonix Pulsar
- Electro-Harmonix Frequency Analyzer
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